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  • Writer: Robert Giron
    Robert Giron
  • Jan 9, 2021

I-95 Southbound

by Perry Glasser


The day starts bad, then gets worse.


Who should be surprised?


Not yet 7:00 AM, too far from home, Geist sets his sole piece of luggage into the trunk of his red Toyota. The pink valise and a son are all that remain of his marriage to Linda. Geist travels too little to warrant buying anything new; besides, the silver duct tape holding closed the vinyl wound that an airline baggage handler “accidentally” slashed gives it a masculine look. Geist closes the motel door, and almost as an accident he glances at his front tires.


They are low.


Now what the hell is that about? They were repaired only yesterday.


Geist is one careful man. He plans. He plans a lot. Geist owns two of everything that matters. In his basement, on industrial strength metal racks well off the floor, he stocks toothpaste, tomato sauce, trash bags and a shopping cart’s worth of other nonperishables. He stores gallons of water against the day the mains go to hell. Geist pays his bills as they arrive. His dishes never soak in the sink.


Look, alone, there is no other way to live. There is no rest; you plan. You stay on top of things. You do for yourself, because if you don’t, who will?


Just look at those tires.


Yesterday after a breakfast of one scrambled egg with dill, a toasted Thomas’ English Muffin, black coffee, and his newspaper, Geist packed the pink bag. He’d planned to set out by noon, but the tires bulged like a middle-aged man’s waistline. No need to bend and measure pressure. A person could see the problem.


He’d been rolling on them for a year. Plenty of tread remained. Geist had purchased road hazard insurance and a free rotation every 5,000 miles. It’s a religion with him. Do unto others as you would have them do unto you, eat fiber, rotate your tires. Cripes, his appearances at the tire shop were so regular that Hector, the manager, sometimes offers Geist a powdered donut right out of the very same bag he and the shop workmen use.


Loyalty ought to count for something, but it counts for crap. Yesterday, instead of heading south on I-95 by noon, though he needed to drive all those miles from coastal Maine to North Carolina where Dennis, his son, was making his life, Geist sat like a schmuck brooding for two hours on a shabby, green vinyl-covered chair in the tire store office. The only heat in the cinder block building was an electric space heater with cherry red coils glowing behind a clunky fan. He kept his hands in his pockets, his jacket collar up.


“Your tires are OK. We didn’t see nothing.” Hector wiped his hands on a rag.


“Nothing?”


“Nothing. We’ll grind your rims; make sure the tires fit. Maybe you parked against the curb, you know?”


Geist drove away, but his confidence had evaporated.


At one time, Geist would have planned the trip to be accomplished in one sitting, but now he must pace himself. He hates being tentative. Reflexes slowing, it is not inconceivable that his mind fails to process information fast enough. So he plans to avoid fatigue. Jesus, what would Geist be if his mind went? Oh, sure, he forgets things, but who doesn’t? Everyone over 50 has CRS—Can’t Remember Shit. So what? Still, Geist worries. If his mind goes, how would his mind know it was gone?


That’s how it is with Geist, like roads lead to more roads, thoughts lead to more thoughts. It’s the cascade effect, the doctor told him. He can choose to stop it. This is 21st century American Feelgood bullshit, but Geist knows no better alternative. He is about as much in charge as a man trapped on an elevator with a severed cable. He can stab at buttons, but the descent accelerates. Knowledge of the coming crash doesn’t mean you get off the elevator. Geist has low tires; next thing his mind plunges him into grim visions of senility, incontinence, and lonely death.


He flushed the Happy Pills years ago. Geist already takes enough medications, thank you, all preventative. His heart, brain, kidneys, stomach, and lungs are just peachy. Counting out pills is a morning ritual, like the coffee his GP urges him to give up. The small yellow diuretic has him pissing like a racehorse. The blue vasorelaxant keeps his pressure low enough that blood does not spout from his ears. The sand-colored pill pumps his liver—or is it his pancreas?—to delay his inevitable diabetes, the disease that killed his mother. The food supplements for his eyes and joints do nothing at all. The children’s aspirin thins his blood and may prevent a stroke, but the aspirin also gives him an occasional nosebleed. Forget the Church of Tire Rotation; Geist is an acolyte to the Church of Perpetual Life through Preventative Medication. At monthly, quarterly, semi-annual and annual intervals, he pays his tithe to druggists, an endocrinologist, a GP, an ophthalmologist, a dermatologist, a podiatrist, a dentist, a periodontist, and the odd specialist. They take his blood, cluck at the results, and tell him to change his ways. But for what? Geist sees, pees and shits, the definition of health.


By plan, he should have awaked in southern New Jersey, close to Camden, but he crouches with his silver tire gauge in hand on a dank December morning before sunup, in a mist-enshrouded motel parking lot in central Connecticut.


He confirms what his heart already knew. Unless he’s run over a tank trap, there was no reason two tires would develop leaks at the same time.


The tires are defective. End of story.


Geist spits on his fingers and wipes grit from his fingertips on the seat of his jeans. He is near Lyme, the town that gave its name to a disease spread by bloodsucking deer tics.


Geist stamps his feet, two blocks of ice in sweatsocks and running shoes. The opalescent sky drips like an infected sinus. Geist wants breakfast. Geist needs coffee. But instead of waffles or eggs or oatmeal or any traditional road food, in the morning gloom of central Connecticut, Geist will play “Find the Air Pump.”


A few hundred yards down the two lane blacktop, back beyond the interstate, on the northbound side of the highway, he finds a Mobil to his left, a Shell to his right.


The ancient Greeks believed in inescapable Fate; we, on the other hand, believe we are the sum of our choices. Different cultures, different illusions.


Geist chooses the right.


Geist often marvels at the number of television personalities and moronic books that reinforce this lie of choice. Oedipus brains a stranger on the road with a rock, solves a riddle, and winds up a king who sleeps with his mother. Dr. Phil leans forward to inquire, “So tell us, Oed, what were you thinking when you picked up that rock?” Oprah herself might interview Jocasta. What studio audience eye would be dry as the Queen of Thebes tearfully confessed that she had been a victim of a fool and brute, her husband, who should never, ever, have sent away their infant son.


Had Geist chosen to turn left, everything might have been different. A grinning Hispanic guy with a hose and nozzle in hand leans into his window. The Shell is full service, so, no, Geist cannot pump his own gas. He asks the guy if they have an air pump, and the guy nods and smiles and says, jess, jess, jess. Geist fishes out a credit card and the gas pump nozzle rattles into the Corolla’s side. Geist stands in the too warm December morning, but no air pump is in sight. Tires are stacked against the whitewashed wall of a dim garage bay.


“Where is the air pump?”


Jess, jess, jess.” The gas station attendant gestures at the office.


The office guy is a bantam in a jumpsuit, but at least he speaks English.


“Air pump?” Geist asks.


“No.”


“Your guy said you have an air pump.” The station owner shrugs. His breast pocket’s red embroidery reads Richie. “How do you fill all those tires you sell?”


“A tire machine.” Richie blows across his steaming coffee and delicately bites what might be a cheese danish. His chin is covered by whiskers like steel wool.


“Open the garage door and let me pull up to it.”


“The hose is three feet long. It would not do you any good.”


“You could change the hose, right?” Richie shrugs and turns his back. “Thanks a lot,” Geist says. “I appreciate your help.”


“Go fuck yourself.”


Nice, Geist thinks. Nice. He’s been told to fuck himself before breakfast, a sentiment he has not heard since his third wife left him for a failed actor.


In the Mobil station across the street, the air compressor requires 75 cents to operate for three minutes. A yellow metal tag on the machine reads, Air free to our customers. Inquire in office. Had he turned left, he’d have a full tank, free air, and not have to deal with Nazi

bastards eating cheese danish.


But Geist chose the right.


His knees pop when Geist squats to unscrew the tire valve caps. He slides three quarters into the slot and the compressor chugs into life. Not only does the chuck fit, but the hose gauge works. He is able to inflate two crappy, defective tires in less than the rationed three minutes.


Pulling out of the Mobil station, Geist flips Richie the Nazi Bastard the bird. With luck, Richie saw him. Maybe the little prick will choke to death on his cheese danish. Maybe Geist will hit the lottery, too, but he does not count on it.


Thirty minutes later, southbound, Geist abandons any hope of finding a half decent eatery. What does he expect? A blue roadside sign that reads, Decent food. Not the usual crap. Next exit. Easy access?


So the Corolla delivers him to what is either an official Connecticut rest stop or the last stop on the railway station for the Hellbound Express. People of every age and nationality enter and exit. Babes in arms and the elderly, unsteady on canes. Boys on rattling skateboards with their hats on backwards, and men in rumpled suits. Women in muumuus and quilted jackets walk tiny dogs on a grassless strip behind a cyclone fence. Intense teenage girls text into cellphones. Geist hears what might be French. He hears what is certainly German. The tumult in God’s waiting room will be no different from the traveler’s plaza on the Connecticut Turnpike.


The Men’s Room smells of piss. He was not expecting Chanel No. 9, but couldn’t a man hope to relieve himself where no stuffed auto-flush toilet ran ceaselessly, creating a not-so-clear flowing moat between him and every urinal? Geist does not wash his hands. Be serious. There are no paper towels, and the allegedly sanitary air dryer blasts only frigid air if you are crazy enough to press your palm to the metal plate already slapped by the wet palms of 5 million disease-ridden travelers.


The food court line snakes back to the entry doors, but after two garages and the Great Air Hose Hunt, Geist is too hungry to leave. Against the lessons of his own experience, Geist orders the egg, sausage and cheese sandwich, and given the options of medium, large and extra large coffee, he chooses the large. Had no other travelers been queued up behind him, he’d have asked for a small just to see the high school kid grapple with the stupid old fart ignorant of the self-evident fact that the tiniest size was a medium.


Behind the wheel of his car, Geist unwraps his breakfast and makes a lap tray of the paper bag. When will they develop edible paper? What are they waiting for? His ration of grease, salt, swine, dehydrated egg, starch, and a goopy dome of hydrolyzed fat, a near-food called “American Cheese food product,” is totally satisfying. Scalding coffee chases the medications down his throat. Because he has no newspaper to distract him, he wonders how an arrogant, petulant, cheese danish-eating Nazi fuck asshole who owns something called a service station can tell a distressed traveler fuck yourself. On the American frontier or in the Middle Ages, times and places where justice was not determined by advocacy but by action, if Richie had run an inn and slit the throats of wayfarers, one glorious day a hero would have caught him at it, gutted the son-of-a-bitch, and while buggering his wife before his still living eyes would have fed Richie’s entrails to livestock.


Southbound again, Geist plans his choices.


Who’d need a GPS for this ride? What the Mississippi had been to timber and water, I-95 is to rubber, glass, steel, oil and concrete. Yes, a driver could choose the 3-digit bypass routes around cities, but those roads once through cornfields had become the central arteries of character-free suburbs, a pallid landscape of malls and car dealerships, the soul-sucking invented locations that bred teenage boys whose only vision of escape was to tote Dad’s armor piercing automatic weapons in a book bag, slaughter classmates, and then spatter their own deficient brains onto a pale blue cafeteria wall.


Geist cannot play the radio loud enough. The elevator is falling, and he's trapped within it.


You had Portland, Portsmouth, Boston, Providence, New Haven, New York City, New Jersey—which was not so much a place as the space between places, an entire state halved by petroleum cracking plants, a place whose residents located themselves in space and status by exit numbers. What was the collective psyche of people who knew themselves and each other only by where they left the road? Manhattan at your left, eyes tearing from toxic fumes, you might notice Newark, but you’d never notice Patterson, cradle to poets. You sidled past Philadelphia before Baltimore, the murder capitol of America. A mere 40 miles more and there was Washington DC, Mecca to America’s addled homeless. A few hours further south to Richmond, Virginia, capitol of Dixie, where the war to defend slavery was commemorated on Monument Avenue by alabaster statues of men who strove to overthrow the Federal government. Lee, Jeb Stuart, Stonewall Jackson, all on horse save the newest addition, Arthur Ashe. Geist would have paid to be present at the debate that approved the addition of a black tennis player to the pride of the Confederacy. No revision of history was too grotesque to make a world safe for children in America, the Theme Park. No smoking, no drinking, no fornication, fleshless, sinless, pure of heart, nothing in America allowed an adult to know he was an adult. Shiloh, Gettysburg, Chickamauga, Spotsylvania, and center court at the US Open in Forest Hills, equivalent moments of high valor, all suitable subjects for any seventh grader’s book report.


I-95 plunged further south to Miami, but Geist’s mind follows the Corolla’s intended path off that line as if the Corolla was a radioactive isotope in search of heart blockage. He would depart arteries and veer west into lesser vessels, eventually lodging like a clot at Dennis’s home in the Piedmont, now called the Research Triangle. Piedmont, from the French for foothills, but Research Triangle sprang from the lips of necessary revisionism. Come now, who could live happily ever after where the oldest and richest names were associated with fortunes build upon slave labor and tobacco? Poison and blood built Winston, Salem, Raleigh, and Duke, all once cigarette brand names.


Geist was clueless as to what his boy did for a living; it involved the Internet and was very, very complicated.


East of New Haven, muttering more of what he should have said to the Nazi sadist prick Richie, Geist, preoccupied, misses his easiest chance to avoid the heart of darkness, New York City. Geist’s stunning ripostes designed to leave little bastard mute and humiliated, distract him from the Merritt Parkway and the easiest route across Westchester to the Tappan Zee Bridge where Geist planned to cross the Hudson far north of the Bronx.


Any man who did not pay total attention to details loses his way.


Geist considers correcting course. It is still an option. How much net time would be gained or lost returning to Milford? Geist, a native New Yorker, the genuine article, not some Johnny-come-lately transplant from the toolies of Ohio or Kansas or West Bumfuck asserting that claim after a few seasons stomping roaches in a Greenpoint walkup, has a healthy respect for New York traffic. So though he knows other, direct routes, he also knows they are likely to be difficult. He’d lived in New York City his first thirty years. Geist knows his way around.


Dr. Phil leans forward to ask, “So, Geist, when you chose not to turn around, and you then came to that total dead stop in Bridgeport, you knew all along you’d risked that path?”


Let’s be clear. Traffic does not slow. It stops. Stone fucking dead.


Years ago, Bridgeport actually declared bankruptcy and left widows and orphans gumming worthless paper. Bridges and roads crumbled. Trapped atop a highway bridge, Geist gazes at the gray ocean. Fog makes the sky and sea one.


At the last chance to escape westward across Westchester, they crawl past the problem—nothing less than two trucks and three cars piled up at the Cross County exit. The highway lanes are clear, but idiot rubberneckers look for blood. The Sawmill to the Henry Hudson and onto the GW is no longer an option. To cross the Hudson River, Geist will require not only the George Washington Bridge but the Cross Bronx Expressway.


Should a ruddy imp ever appear before you and offer riches, fame, love, a bigger dick, and perpetual youth in an extended life if you agree to spend ten thousand years in Satan’s anus or one afternoon on the Cross Bronx Expressway, take your time in the Devil’s asshole. Your suffering will be less.


Maybe if Geist had that morning turned left instead of right, he might have been alert instead of being trapped on his plummeting psychic elevator. Blame Hector for cutting the elevator cable by selling defective; blame Richie, the Nazi Bastard who ate cheese danish and conflated “service” with “persecution.”


“Stop it,” Geist says aloud to no one, stabbing at elevator buttons. Just stop it.


Where the road forks right from the Bruckner to the Cross Bronx and then the George Washington Bridge, a route on which traffic moves at glacial speeds, at the last second, Geist impulsively pulls the Toyota to the left. The Throgs Neck Bridge beckons to him. It went nowhere he needs to go, but at least he would move.


Geist evolves some vague plan to slice across Queens on the Van Wyck, circle Brooklyn on the Belt, and then slide under and up a ramp onto the Verrazano, the bridge known to locals as “The Guinea Plank.” After that, he’d dart across Staten Island to the swamps of New Jersey on the other side of the Outerbridge Crossing. The route is not impossible; looking at a map, a stranger might thing Geist clever.


That would be a stranger.


Idling in a queue of cars, Geist burns gasoline awaiting his turn to put a mere five dollars into the hands of a toll collector. His “Thanks” is unanswered. The toll collector’s hand is in a surgical glove. Rectal exams and money—all the same to her.


But as the Corolla descends onto the Cross Island and then the Grand Central Parkways, Geist no longer can kid himself. The Corolla is taking him to Susan’s old neighborhood.


She might still be there. It’s not impossible. Decades might pass, but Susan and her husband and her two kids were as constant as WINS, the all-news, all-the-time radio station now recapping the same stories for the fourth time.


A Puerto Rican guy saw the fire that almost killed the old lady. She’s nice, jew know. No trouble. This may be news; an old lady in New York City is not Ma Barker. Then there is the fourteen-year-old stabbed to death in Astoria, like any fourteen-year-old stabbed to death in Astoria out for a stroll at four in the morning had been destined to cure cancer and start an orphanage for blind children, had he only lived after gathering tuition for medical school by selling crack cocaine.


The traffic report that informs Geist there is no road in a twenty-five-mile radius of Manhattan not more clogged than his arteries. Geist’s index finger stabs the radio mute. He sings aloud:



There's a hold-up in the Bronx

Brooklyn's broken out in fights

There's a traffic jam in Harlem

That's backed up to Jackson Heights

There's a scout troop short a child

Krushchev's due at Idlewild…

"Car 54, where are you?"



Arguably the stupidest TV show ever. Arguably the worst theme song to the stupidest TV show ever. “Gilligan’s Island” is Puccini by fucking comparison. Geist sings the ditty three times. He bounces on his seat with enthusiasm, yodeling on Idelwild. Does anyone younger than forty know who Krushchev was? Is there another stanza? Is anyone in America, this great nation of 300 million souls, singing the same tune as he? Cluttered with whatever has been discarded, useless, and embarrassing, Geist’s mind is the cluttered attic of American culture. Geist, the poster-boy for CRS, is cursed to remember only the useless and inane.


Irene undeniably knew about Susan. He practically told her all about it. Martin could not have been two, and Dennis was to be born to a wife in the future. Lifetimes pass, but as soon as Geist gets a whiff of New York City air, the DNA of his body revitalizes with the intense memories of those six months with Susan. His cells remember. Her name was a word he might utter on his deathbed, like “Rosebud,” an opaque mystery laden with meaning.


So screw the Van Wyck and the Belt. The Toyota navigates the Brooklyn-Queens Expressway, ripping past East River crossings fast as flip cards. The Fifty-Ninth Street Bridge, the Queens Midtown Tunnel, the Williamsburg Bridge, Manhattan Bridge, Brooklyn Bridge. Geist could do this drive with his eyes closed, though the lanes seem more narrow than they did in his day. Where once he wove through traffic like Mario Andretti closing on the finish line at the Indie 500, Geist now drives like a frightened old lady who lost her spectacles.


At the Prospect Expressway, as if his car was a lost mutt returning home to sigh and die after twenty years, he finds the street. He finds the block. This is Park Slope.


Brooklyn—life is on the street. If there were a Spenser Gifts, someone would steal the lava lamp. Not an escalator or fountain in sight, just black-specked New York snow, and not much of it, either.


Look, when Geist sees a space broad enough for him to pull in nose first, how could he not do it? The space is a few doors down from where Susan lived. The time is only just past two o’clock, but Geist is not eating any lunch after that breakfast. He has time to spare.


So parked before four-story brownstones with vaulting windows, Geist rolls down his window, releases his seatback, and inhales the city. Even in leafless December, Geist smells Prospect Park—the Olmstead miracle more impressive than the more famous Central Park. Why don’t people know all he knows?


An Hispanic kid dribbles a basketball, his cap on sideways. So the kid wears his cap like an idiot. So what? Live and let live, that’s what Geist always says.


An older woman — she has to be Italian — pulls a squeaky two-wheeled wire frame cart. It’s filled with brown grocery bags. Geist sees celery. His mother had such a cart. This woman’s white wispy hair is under a black scarf tied beneath her chin. Her coat is black; her shoes are like cheese boxes. Where do these women come from? Why don’t they die out? Generations come and go, but there is an endless supply of old women who cannot be five feet tall, bent like question marks, tugging loaded two-wheeled carts up and over curbstones. When she makes her way around a puddle—can you believe it? — the basketball player yields space on the narrow sidewalk. Civility sends Geist into a nostalgic reverie.



Susan and he had walked across the Brooklyn Bridge. A freezing night so long ago that the Trade Center behind was almost new, a scandal of sorts because the Port Authority could not rent all that office space, but the windows twinkled like diamonds on black velvet as they moved and their perspective changed. They were lovers by then. Cold, the night, the wind, the moon, the city, it was a conspiracy of perfection. They were lovers. They’d lain damp and sated in each other’s arms only an hour earlier. Their gloved hands clasped, hers in red wool, his in black leather. He would for a lifetime carry that moment, a treasure. What woman before or after could match her? He’d damaged the souls of three wives who could not displace his memory of another woman. They must have found the dark truth lurking in his heart. His memory transformed and grew beyond mere history; no woman could ever have been the Susan he created in his soul. Memory was false. The heart births its own truth. If women suspected what men made of them, what woman would dare lower her eyes or undo her hair? Who would draw close, caress, breathe, yield up her lips? What woman could open to a man? But Susan had. Susan had opened to him, to him, to Geist. The only certainty Geist had of women was that eventually they left. They smiled, but they forgave nothing, and then they left. Susan had smelled of Tea Rose, the skin at her throat skin tasted of copper. In passion that day she bit his lower lip until he bled. On the bridge it was not midnight, though it should have been. They walked from Manhattan, arcing over the river on the bridge’s elevated wooden walkway, as if they walked on a great black cat’s back, their steps hollow on the wood, clouds of silver breath before them, full of each other, but unwilling to end their time together, the touch of their hands enough, the wind too strong to allow them the speech they did not need, an impossible moon above, its light rippling on onyx water below, water black as Susan’s eyes, her striped long scarf tight over her lips, the ends whipping the air before them, the wind a thousand knives slicing through their pea coats, a night when he was young and filled by confidence, strength, his self-evident immortality, and endless hope. What could end? What could he not achieve? Time was infinite. They were lovers. A million such moments would be theirs, indelible, irreplaceable, endless, an army of triumphant moments that could never have become that vagrant mob of ragtag broken promises, betrayals, and self-induced lies that became his life.




Then he sees her. He’s out of the car instantly. Susan. His Susan. She looks just as she always did. He is not ten feet from the stranger when he realizes this is impossible. His mind, out of control and grwing more feeble every day, now plays him dead false. The woman’s black eyes blink quizzically at him, an oncoming stranger. Could she be Susan’s daughter? She looks like her, a figure like a Hindu carving on a temple with a knowing smile. Geist begins to open his mouth to speak, but no word escapes his lips, and a good thing, too, as speech might have been fatal. The young man beside her already clenches a fist, and who knows what weapon he carries in his coat pocket?


Geist’s propensity to live in the past has once more propelled him into the dangerous pursuit of an illusion in the present. He pulls up, slaps his forehead like a cartoon character who has stepped off a cliff and hangs in the air, an anvil in his hands, suspended over nothing.


His heart palpitations and overwhelming shame do not subside until he is well over the Outerbridge Crossing, free of New York and its alluring memories, however false, engulfed in the toxic twilight of the New Jersey Turnpike, I-95, where Geist is back on course. He’d have been on course all day, except for that prick, Richie, Hector’s two shitty tires, and Geist’s impossible series of evil choices.


Geist cannot recall the drive across Staten Island. The space in his mind is like a gap left by a lost tooth. Flames atop the smokestacks that rise from mid-Jersey oil cracking plants paint the sky pink and red. His self-indulgent delays, his absurd daydreaming, Geist is all business now, struggling south in rush hour traffic until he escapes the mob south of Cherry Hill.


Geist has been sliding down the east coast for eight hours, he has skipped lunch, and he has accomplished no more than 200 miles. He could walk at that speed. He has 400 miles more to go. He resolves to drive all night. He has no choices: fuck you, Doctor Phil.


Geist pushes.


He eats something in Maryland—or was it Delaware?—and tanks up. Why stop again? His tires seem all right, but Geist is a cautious man, so to be certain he pumps air, deliberately over-inflating to 38 pounds. No tailgating, he tells himself. Less rubber on the road.


South of Washington DC, Geist is plunged into unequivocal night. Civil War armies marched for weeks over terrain Geist covers in hours. He has never seen Fredericksburg. Where is Spotsylvania? A river of red taillights recedes endlessly before him; flowing at him is a river of white.


No one defeats physics. Rate, time, and distance do not yield to sudden acceleration, shortcuts, or compulsive glances at his watch. At 60 miles per hour, in one hour, the Toyota will cover 60 miles. At 65, it will take cover 65 miles. If he dares 80, he will accomplish 80, but at such speeds Geist cannot trust his reflexes to guide the car in any emergency, so he hopes for 70 and settles for 65. Lunatics pass him; idiots crawl before him. Time compresses and expands like the chest of a weary marathoner. Released felons summarize even forty years as near nothing. They call it doing time.


So when the Toyota’s defective tires quietly crunch up the gravel of Dennis’s driveway at the end of the cul de sac off a street like a dozen others in the development, though his ass hurts, though Geist has an annoying twitch in his left arm, though his back feels like a column of cracked glass, and though the blue digital auto clock reads 1:07, Geist can hardly remember the trip. He has been on the journey for an instant that started long, long ago.


Geist thinks of taking a room nearby and presenting himself in the morning, but, dammit, this is his boy. He’s made the effort. He’s done what needed to be done, and he’s done it heroically, overcoming a day that started bad and just got worse. Nobility and courage deserve reward.


Dennis’ house is dark. When in hell did the boy put in hedges? Geist stumbles over an exposed root beside the flagstone path, but rights himself before he falls. That would be the perfect end. He’d shatter a hip or something.


Dennis’ place is a generic McMansion, two floors, two wings, gleaming hardwood floors that shine like the lifeless marble eyes of a carousel pony. All the houses in the cul de sac have white columns and a portico. You’d think right after designing Monticello, Jefferson had handed his blueprints to some developer in the Research Triangle.


Dennis’ door chimes sound like church bells. Geist leans on the button three times. He has to pee. He slaps the brass knocker onto the red door. A yellow light within ignites.


The woman who swings open the door is backlit in her diaphanous aqua nightgown. What’s with these kids? No shame. Couldn’t she put on a house dress? She’s older than Geist thought she would be. His future daughter-in-law should be more modest. A single index finger moves the blonde bangs from her sleepy eyes, and then they open in recognition. Her dry lips part.


She turns and shouts up the winding staircase, “Bob, it’s that man again. Bob! You hear me? That man is here again!”


Pushing his head through a t-shirt, Bob in sweatpants and slippers hurries down the maple stairs. “I’ll take care of it,” he says, and touches his wife’s shoulder. “Calm down, Cheryl. I’ll take care of it. I think he woke the kids.”


“Bob, you’re calling the police this time. I don’t care who he reminds you of. Call the police. If you don’t, I will. I swear to God I will.”


Bob steps out into the night, and half shuts the paneled door behind him.


“Where’s Dennis?”


“There is no Dennis here, partner. He moved three years ago, remember? Dennis left no address. Try to remember.”


“But where is Dennis?”


As Bob tries to slide an arm around Geist’s shoulders, Geist twists away like a football runner. All right, Yes. The truth is that he sometimes becomes confused, but why strong arm him? Geist is bewildered. This Bob should know where his Dennis is. Geist’s stomach knots and he feels himself leak urine. Acid rises in his gullet. If a man were to lose his mind, how would he know it? Dr. Phil sits back in judgment. Oh, come on, Geist, you knew. You knew all the time. You had to have known. Come on, Geist, what could you have been you thinking?


Geist doesn’t want to wet himself; he fights nausea. He shakes. He asks again, this time with bewildered hope, his voice cracking, “But, please, just tell me. Where is my Dennis?”


From inside, Cheryl shouts, “I’m calling! Bob, tell him I am calling!” A small child cries. Dennis is not yet married and so he could not have children. All right. But where is his Dennis?


Bob stands squarely in the door. Geist tries to look past him. The house appears comfortable. “Look, partner, you need help. Let me help you get help. But you have to stop showing up here whenever you feel like it. It scares the kids. Tell me this time, okay? Where do you live? Where are you from? Can I help you get back?”


Get back? Geist would like nothing better than to get back. What’s wrong with this guy? There is no getting back. People should know that. “What happened to Dennis?”


“I don’t know any Dennis.”


“Go fuck yourself,” Geist mutters.


Bob sighs, steps back, and the red door quietly clicks shut. Geist’s bladder voids. The warm mess quickly grows cold. He hears Cheryl, but can make out no words. The house’s windows darken to black. The baby cries for a while, but then is still.


Beneath the cloudless crystal canopy of a winter sky, Geist lifts his chin high. The stars blur when his eyes fill. He points a single finger heavenward. There’s Orion’s belt, the Hunter, red Betelgeuse glowering nearby. Geist is a man who knows things, what stars shine where, the stories of the constellations, the figures of the zodiac in eternal pursuit, and how each cold pin of light wheeling about Polaris is in truth a nuclear furnace.


“Go fuck yourself,” he repeats.



Copyright © 2009 by Perry Glasser.

 
  • Writer: Robert Giron
    Robert Giron
  • Jan 8, 2021

Water

by Tin Johnston


She was a good sleeper, a dependable sleeper, but that night Charlotte woke up with her heart whumping, like a young mother. There had been something.


She lay there in the dark, not breathing. At one window the drapes were shaped by faint light from the street, but at the other there was nothing, no light from the neighbors, no moonlight, and the effect was briefly frightening, as if the wall had fallen away into space, or a black sea.


She drew the alarm clock into focus: 1:36. She had a son who would stay out late, but when he came home he was like a cat, and if she heard him at all it was because she had gotten up to use the washroom, pausing by his door just long enough to hear him clicking at the computer in there, or humming to the iPod, or shhshing Ginny Simms, his girl.


She heard none of this now, nothing at all but the heat pumping invisibly, bloodlike, in the walls of the house. This was late October, two nights before Halloween, the first truly cold night of the season.


She closed her eyes and the dream she'd been having eddied back to center—a dream of hands, the feel of them, the smell of them; muscle and tendon, palm and finger. Her body, under the bedding, still hummed. She breathed, she slowed, she drifted down.


And heard it: Water.


Water was running in the pipes somewhere. Not the shower, or the toilet, or the kitchen sink: this was the distinctive 1-inch-pipe gush you heard when the boys were washing the truck, or the dog, or filling the plastic pool for the neighbor kids. She had been married to a plumber and she knew about pipes.


She got into her robe and went down the hall, past the boys' rooms—John's door open, no John; Dukie's door shut but him in there, a mound of sleep she could feel like a pulse—and down the stairs to the kitchen, where the noise was loudest.


John's truck was in the window over the sink, lit up by the worklight he used at night, a light usually manned by Dukie but now positioned somewhere out of view, like John. Two yellow smiley faces stared in at her, plastic hoods for the foglights, or whatever they were, he'd mounted on the cab. Her comment on the hoods—A bit cheesy, John—was still amusing him, apparently, when he and Dukie carved the identical inane faces into their pumpkins. She'd rolled her eyes but was secretly moved: they'd never done twins before.


Charlotte held her robe to her chest and leaned over the sink. She saw the truck's fender, the tire, a thin disk of water leaching into the gravel, and just then the spigot gave a squeal and the water stopped running and a face popped up before her so suddenly her hands flew up. John saw the movement, then saw her, and Charlotte's heart surged, as if he were hurt, as if he were washing out some great wound she couldn't see. In the next moment she heard the dog, Wyatt, shaking his hide, rattling his tags, and she understood: John would let the dog out in the park, and it would find some other animal's filth, or carcass, to roll in, and later it would stand there grinning under the hose.


The worklight snapped off and in they came, Wyatt shoving past to dive face-first into her carpet, driving his upper body along with his hind legs, first one side, then the other, grunting in ecstasy.


"Wonderful," Charlotte said, and John said, "I'll get a towel," but then just stood there.


"Did you get it all off?" she asked, and he flinched, as if she'd shouted.


"—What?" he said.


Charlotte gestured at the dog. "Did you get it all off?"


John looked at the dog but he wasn't really looking, she could tell; he was thinking of something else altogether. A year out of high school and there were bars he could get into, him and Mike Simms, and some mornings she'd smell the smoke on him like he'd slept in an ashtray. Other mornings she'd smell strawberries and know that Ginny Simms, Mike's younger sister, had been in the house. Charlotte did not approve of such things, of course—but the next thing you knew John was under the sink with his tools, or throwing the football to his brother, or fixing some neighbor kid's bike. A good boy, at the end of the day. A good son.


"I got it all," John said at last, and he turned for the stairs.


Charlotte switched off the lamp and followed.


"Now what are you doing?" she asked, at his door.


He went on shoving clothes into his duffle.


"Gonna go see Cousin Jer for the weekend," he said. "Shoot some birds."


"John," she said. "It's almost two in the morning."


He didn't reply.


"Does he even know you're coming?"


Of course he did, he told her—it was all set up: he'd be at Jer's in an hour, they'd sleep late and then head up to Uncle Martin's cabin. Back Sunday night.


Charlotte was confused and strangely heated, as if she'd done something humiliating.


"And all this is fine with—your boss?" she said, and John paused, they both did, as the idea of Bud Steadman came into the room: his smell of earth and copper, a certain kind of deodorant. His big good face. His hands.


Charlotte saw something on the switch plate, a dark fingerprint, and began to rub it. There'd been a few men over the years but there had been none for several years, and at forty-three, with two grown sons, she'd been ready to believe that all of that was over for her. But it wasn't, not quite. Bud had a nineteen-year-old daughter at home, Caroline, who didn't get along with her mother—or any older woman, so far as Charlotte could see—and the going was slow. But it was going. When the phone rang these days Charlotte's heart jumped. New bras and panties bloomed in her bureau. She'd lost weight.


The only reason John was out late tonight, with work in the morning, was because she and Bud had made plans for tomorrow night—Friday night, a date—and John had agreed to stay home with his brother.


"I'll call Bud in the morning," he now said. "Mike will cover for me."

"And me?" Charlotte all but yelped, swatting him lightly. "We had a deal!"


He shrank from her.


"You can still go out, Ma. I'll take Big Man with me."


"Oh, you will, will you? Hunting?" She stared at him, waiting for one of the Duke's howls to fill his head; most recently, it had been the torn heap of rabbit at Wyatt's feet. A smashed jack-o'-lantern could do the job.


"You got a point," John said.


A moment passed. The dog was on the bed, on its back, twisting and snorting as if in agony.


Charlotte shook her head. Uff da! her grandmother would say, venting the woe from her old Norwegian heart. The same pressure would build in Charlotte but she resisted, remembering the farm in Minnesota: Granddad pulling her off some piece of machinery with a swat; Grammy Moore whacking the neck of a chicken—the jetting blood, the headless, frantic life that didn't want to end. Nothing in this life comes easy, Charlotte had been told, and though it turned out to be true, she'd never said the same to her own children, in case it was the saying so that made it so.


She shook her head, she sighed. She would see Bud Steadman in the morning, at the Plumbing & Supply. A change of plans, she'd say. Home-cooked dinner instead. She'd get Dukie to turn in early. Like her, that boy was a sleeper.


But Bud Steadman wasn't at the Plumbing & Supply in the morning, his van wasn't there, and Charlotte followed the sullen Dukie into the store with something childish, something ridiculous and acute jabbing at her heart.


"Big Man!" Mike Simms called as they came in, and the Duke raised his hand for a gustoless high-five, then disappeared into the back, stranding Charlotte with no good-bye. It was her fault John had gone off to the cabin without him, was the message.


She stood there a moment amongst the pipes and fittings. The smell of the place was a smell she loved: pipe dope and PVC glue and sweated copper and men. She remembered the summer when Bud and Raymond had bought the building and began fixing it up. Sawdust in the nostrils, freckles of paint on all their faces. Charlotte and Meredith had fallen for each other like schoolgirls, the kind of gushy, overnight friendship men don't even try to understand. They both got pregnant the same month, and then, five months later, when Charlotte and Raymond learned there was trouble with the twins—one healthy, one not; they could terminate one to save one, or risk losing both—it was Meredith and Bud who loaned them money for more tests, a second opinion, the monitoring that saved John's life. He had his heart murmur, but he'd grown strong as a lion. And the Duke, well, the Duke was the Duke... No one had seen that coming.


Six years later, Raymond was dead. The cancer they'd been fighting in one lung had jumped to the other like a clever rat. Charlotte had to give up the business to keep the house. She and Meredith's friendship began to falter, and she realized that after all it was the men, not the women, who kept the two families close. She heard through other friends about Meredith's miscarries, but only called after the first. Both had been boys, she heard.


Then, when her own sons were sixteen, here came Bud again, with jobs: custodial duties for Dukie and the secrets of the trade for John. Bud had never gotten around to changing the Steadman-Moore sign on the side of the building, and a hyphen that had once said family to Charlotte, then loss (a minus sign), then another lifetime, suddenly said family again.


Now Charlotte asked Mike Simms if he knew when Bud would be back, and the boy replied cheerfully, "Can't say, Mizz Moore. He ain't been in yet."


"Oh," she said, puzzled—actually bothered by this answer.


"Anything I can help you with, Mizz Moore?"


And there it was: Mike Simms had opened up the store. Bud had given him keys.


She'd thought John was the only one.


*


In her car again, driving across town to the mall where she works. A brilliant, stunning blue day in October. Cars moving along in their lanes, catching the light. On the radio two women are talking in quiet tones: one has written a book about her childhood, her abusive drunken father, but it's the women's voices, more than the subject, that takes Charlotte back in time, to a night when she felt friendship land on her like a blow. They had all been working on the store and now she and Meredith sat alone on the deck with the wine. If they were pregnant, they didn't yet know it. The bellies of insects pulsed green in the dusk. Bud had taken Raymond to the basement to talk about turning it into something called a game room. The women could hear the low, manly voices down there.


When she was sixteen, Meredith said, refilling Charlotte's glass, then her own, she had slept with a teacher at her high school.


Charlotte picked up her glass. Took a sip. In her stomach she felt as if a notorious man had just grinned at her.


What kind? she asked. Of teacher.


Art. Mr. Beckman. Mr. B. He thought Meredith had talent. She thought he was a fairy. Everyone did. He passed her one day in his car, an Oldsmobile. She was wearing her best skirt.


Meredith was quite a bit smaller than Charlotte, tiny in fact, with the most extraordinary skin. At sixteen, Charlotte could not even imagine.


They talked about Dali, Meredith said. They parked. He had a mustache that tickled. He wanted to see her again. He stood behind her in class, as she drew. He began slipping her these little drawings—very good, very dirty. He was in an artistic fever, he said into her ear. She showed the drawings to just one person, her best friend, but that was enough. A substitute teacher came to Mr. B.'s art room one day, and stayed. The school was talking. Meredith's father heard it at the plant from some other kid's father, came home and slapped the living crap out of her.


My God, Meredith. Charlotte put her fingers on her friend's cool forearm.


Her dad had these brothers, Meredith continued after a moment in the same quiet, factual tone. Five of them. One, Uncle Donny, was a piece of work. In and out of jail, drunk at Christmas, fuck this and fuck that. About a month after the Mr. B. scandal, Uncle Donny came by the house. He was there just a minute, barely said hello, and two days later they found Mr. B. walking along the interstate. His head was cracked. His teeth were gone. All his fingers were broken.


Laughter came to them from the house, from the basement, making them both turn to stare. Meredith raised her glass again and Charlotte heard it clink lightly against her teeth.


She waited for the cops to come, Meredith said. She stopped eating. She typed a letter at school and sent it anonymously. No one ever came. No one ever did. Mr. B. was in the hospital a long time but he couldn't recognize you, they said, so what was the point of going up there? His parents came and took him away, finally, like a child.


My God, Meredith, Charlotte said again. She could barely see her friend in the dark. Her heart was beating with pity and love. After a while she said, What do you do with that?


There was no reply, a long, unnatural soundlessness, a black well of listening. Fireflies like little bombs going off at a great distance. Men coming up the stairs, loud and huge. Meredith's eyes flashed and she said, You bury it, Charlotte.


*


The morning passed. Charlotte in the back room tagging sweaters amidst tinny bursts of ring tone from the jackets and purses of the salesgirls. At ten o'clock she walked to the far end of the mall, all the way to the restrooms and the building's—maybe the world's—last payphone. (The little cellphone John and Dukie had given her for her birthday—"Look, it takes pictures!"—sat dead in a kitchen drawer, next to the dead camera.) She intended to call Bud, tell him the new plan, but at the last moment she dialed John's cellphone instead, got his voicemail.


"John, here. You know what to do."


She asked him to leave her a message at home, just to say he arrived at Cousin Jer's OK, then she hung up and began the long walk back to work. She would call Bud later, at her lunch break. It was Friday, and they had a date.


Back at the store, something had happened. Alicia stood alone on the sales floor, thin arms folded over her thin stomach. Ten years younger than Charlotte, she would talk about things like chakras and third eyes and orgasms.


Now she came from behind the register as if Charlotte were some girl with an Anne Klein blouse stuffed up her shirt. In the door of the back room Charlotte saw two salesgirls with phones to their ears, one listening, open-mouthed, the other moving her lips in a ceaseless rapid-fire.


"There's been an accident," said her boss, and the store rolled and Charlotte pitched backwards, sickly, into a scene on the highway, John's truck inverted on the shoulder, wheels to the sky, black smoke spiraling—


"No, no," Alicia said quickly, "not that, not one of yours. It's Caroline," she said. "Bud Steadman's girl," she said. "They found her this morning in the river."


*


The story was going around, cellphone to cellphone: Caroline had been walking home from her boyfriend's. No, she was walking home from the bars. She was alone; she was not alone. She'd been drinking. She was high. The girl had problems—she'd lost her license to a DUI the year before, that much was a fact. She was cutting through the park, along the river, and had fallen in. Jumped in. Been pushed in. She'd been there all night. Someone crossing the bridge had seen her, wallowing against the concrete piling below like driftwood.


Charlotte was in her car again, driving across town. A brilliant, cold blue day. On the sidewalk a young woman with long black hair drew a kite-tail of small children behind her. A man in tights ran by them, smiling. The sun, the blazing trees, the silvered bend of river, all exactly as it should be on a day in October, a pristine day. She tried to picture it: Caroline Steadman, this girl she'd known since birth, floating in the water with the branches. But all Charlotte saw clearly was the blouse, the one she'd given the girl on her nineteenth birthday, Bud looking on uneasily: a smart, semi-sheer blouse she had spent too much on, even with her discount, all night in the river under the black sky, the fabric wetted to skin except where air slipped in, raising white, tremulous welts on the water.


*


"Charlotte—"


He was startled, confused to see her. His pale face, the bruised unfocussing eyes, swept away anything she might've been ready to say.


"I'm sorry," she said, "I tried to call first..." Three times, from the store—three times got his service, three times hung up. What was the message you left for this? Go, Alicia said finally. He's going to need you.


But he was not asking her in, or even letting go of the storm door so she could put her arms around him. She wasn't surprised, she told herself, certainly not hurt—it had nothing to do with her. He had to handle things his own way, in his own time.


"I'm so sorry, Bud," she said into those eyes.


"They took me to her," he said. "The police. To make sure."


"Oh, Bud. By yourself?"


He didn't answer, he seemed to be listening, and she listened too: someone else was in the house, on the phone. A voice of calm, male authority. She glanced at the extra car in the drive, a black gleaming Lexus.


"Someone's with you?"


"Duncan."


"That's good. That's good, Bud." His brother Duncan, she remembered, was some kind of lawyer for the state. She'd met him once and had been struck by the cleanliness of his fingernails.


"Can I do anything, Bud, is there anything I can do?"


He caught her eyes, fleetingly, possibly by accident. He said, "Meredith's on her way. Her sister's driving her down. I thought it was them when you knocked."


Charlotte nodded, but couldn't speak. She hadn't seen Meredith in years, not since before the divorce. She remembered that night on the deck, with the wine, when her heart had filled with pity and love. They were going to be friends forever, old ladies, arm in arm in Mexico, Europe, after the husbands were gone. When the first crack in their friendship appeared, not long after Raymond's death, it was that story again, that secret—Mr. B.—that somehow widened the crack and made it permanent.


"They think now maybe she didn't just drown," Bud said abruptly.


"They—?" said Charlotte.


"The police." He dug at the black and gray whiskers on his face. "They think someone hit her with a car."


"My God." Charlotte had the sensation of dropping through space, her stomach rising.


"They think this person didn't see her maybe," Bud said. "Then tried to cover it up by pushing her in the river. Can't be sure," Bud said, "but it looks like she was still alive, then. When they pushed her in. Looks like she was still breathing."


*


"Mama," Dukie said when she came in, "the police men was here. One man and one girl police man." He was at the plate glass window, spritzing away smears and fingerprints. Mike Simms sat behind the counter, unsmiling. Charlotte looked at him and he nodded.


"They're going around talking to people," he said. "Anyone who mighta seen her last night."


Charlotte nodded, too. She thought a moment. She tried to think. She had meant to ask Mike about John, if they'd been together last night, but now she didn't want to look at him again. She couldn't seem to breathe.


"Dukie, get your jacket," she said, lifting her purse to dig in it, though her keys were already in her hand.


"Gotta do windows, Mama."


"Tomorrow, Dukie. Today's a short day."


At home she was barely in the door, had barely glanced at the answering machine—no blinking red light, nothing—before she saw the car outside, in the street. A plain blue sedan parked as if it had been there all day, when she knew it hadn't been there just seconds ago. Two men in ties and jackets were coming toward the house. She met them at the door, and the taller of the two, calling himself Detective Carson, watched her face as he made sure Charlotte was aware of the unfortunate news regarding...while the other man, Detective Something, brushed past her with his eyes and began tearing the house apart.


They were trying to learn as much as they could about the night before, this Carson was explaining. They understood that her son John had been at the bar where Caroline was last seen alive.


Charlotte wasn't sure if this was a question, but she said she couldn't say about that, she didn't know where he'd been.


The other man, chewing gum, looked and sounded as if his mouth had been invaded by some small creature.


After a moment—after Carson asked—she let them in.


*


There wasn't much she could tell them, as there wasn't much she knew, and just a few minutes after they left she had trouble remembering their names, their faces, trouble believing they were ever there at all. She tried to call John again. Kept trying until she heard, from her brother Martin, calling her, that he was in custody. They'd found him up at the cabin, and there was no trouble.


"In custody—?" Charlotte heard herself say.


"Not arrested," her brother said quickly. "Not charged."


"But in custody," Charlotte said.


There's a gray area, he told her—and he went on reassuring her, but Charlotte's mind was tumbling. She was at the kitchen window, as she had been the night before. Two yellow eyes looking in the window, the twin smiley-faces. Water, she remembered. The dog had rolled in something. She saw her son's face, the gust of white breath when he saw her in the window.


There was nothing out there now. No truck. No son.

In custody.


*


It's dark when tires crunch in the drive, and she quickly turns off the TV. A car door slams, the tires crunch the gravel again, and in walks John. Charlotte is up from the sofa but everything about him says Stop, don't touch me. Dukie comes in and lifts him in a bear hug until John says "Put me down, idiot."


"John," Charlotte says.


He ignores her, going for the stairs.


"Hey, where's Wyatt?" Dukie bellows.


"I had to leave him up there, with Jer."


"Oh, no!" cries Dukie.


"Who brought you home?" Charlotte asks, afraid to hear the answer—that it was those men, the detectives—and John stops on the stairs.


"Why are you even here, Ma?"


Charlotte stares at him.


"Why aren't you on your date?"


"John—" she says again, with purpose, but then falters. She has a feeling of choking, of drowning. His eyes burn into her a moment, then he turns again, and the two of them, her boys, disappear over the rise of the stairs.


She locks the doors and closes drapes. It crosses her mind to pull the phone line from the wall, and in that instant the phone rings.


It's Martin again, her brother. There's nothing for her to worry about, he says, he's been talking to the lawyer. He spends some time telling her things she hardly hears, something about physical evidence, the phrase "erratic, troubled girl," and Charlotte mechanically takes down the number of the lawyer.


There's a silence, and she asks, "Do you think he knows?"


"Who?" Martin says.


"Bud Steadman. Do you think he knows...about John?"


"You haven't talked to him?"


"Yes, earlier. Briefly. He wasn't—he..." She doesn't finish.


"He's a good man, Char," Martin says. "And he's been good to those boys. But what he's going through right now... Hell, I don't even want to imagine."


*


She waits for the detectives to return, but they don't—not that night, not all day Saturday.


She waits for Bud to call, although she knows that won't happen either, not as long as those cars are parked in his drive—the black Lexus, and now a white Volvo she knows is the car Meredith came down in.


And then it's Sunday night, Halloween. John emerges from his room at last, on his way to Mike Simms' waiting truck, and off they go. Charlotte sits home with the Duke, who sits in his Packers helmet and jersey, ready to dish out candy for kids if any come. None do; not one. It's a bad night for it, a bitter wind blowing, so no wonder.


Later, after Dukie's gone to bed, something sails through the living room window and lands on the carpet. A small stone out of the sky. It's surprising what a clean, small hole it makes, with only a few slender shards to pick up. The pieces are still in her hand when the phone rings.


"Hello?" she says. "Hello—?"


"Hello? Mrs. Moore?"


Mrs. Moore! The blood goes out of her, she steadies herself on the counter.


But it isn't him, it isn't Bud. It's his brother, Duncan.


Charlotte manages to give her sympathies, then listens while Duncan explains that Bud isn't going to open the store tomorrow, so the boys should plan on staying home.


"Of course," Charlotte says. She sees the scene over there, at Bud's house: Duncan at the phone and Bud beyond him, heaped in a chair, staring into coffee, Meredith on the sofa, their daughter, their only child, dead.


"But I wonder," she says, "is there any chance—"


"In fact," says the brother, "they should probably plan on staying home until further notice, Mrs. Moore."


After he hangs up, Charlotte keeps the phone to her ear, listening to the strange, enormous silence there, a sound from the windy blacks of space. She stands frozen in it, her chest emptied. There was a day, years ago, when something happened, or nearly happened, between her and Bud Steadman. A gray afternoon, the window panes ticking with bits of ice. She had come out of a bath and felt weak and had sat down on the bed. Before her was the cheval glass that had belonged to her grandmother, her mother, now her. Who would she give the mirror to, this girly keepsake?


Charlotte—?


A man in the house, downstairs. Her heart gave a kick.


His footfall across the living room, and then her name again, lobbed up the stairs. A stair tread creaked and she reached for her robe, but stopped.


Two days ago they had buried Raymond. This afternoon, Bud had picked up the boys and taken them to a movie so Charlotte could sleep. Now they were back.


Charlotte—? he said from around the corner.


Yes, she answered. That was all. He came anyway, into the frame of the door.


Oh— His big face filled with the shock of her there, on the bed. I'm sorry, he said.


She heard kids in the yard, boys and girls, already into some kind of contest. Caroline could be mean but John would keep things fair and good for the Duke.


Brought the boys back, Bud said, not looking away, looking her in the eye. He reached up and worked the flesh under his jaw with a coarse, sandpaper sound. He was a man who was sure before he acted, who didn't operate by guesswork or even intuition, but who held in his head all the hard facts of mechanical things. Over the years there had been moments, yes, when she'd wondered what it would be like to be with him instead of Raymond, to simply switch. Innocent, helpless thoughts such as every woman must have...


He took a step, then came certainly toward her. In the wash of movement she smelled the outdoors, the steely clouds and the wet, moldering leaves. Green buttons rode the flannel wave of his stomach down to his belt. The buckle was a little brass mouth with a little brass tongue. Her heart beat in her breast. She turned to the mirror and the picture there was incredible: this naked, wet-haired woman, this man beside her dressed for cold—the forward cant of his body, the emptiness of his hands.


Charlotte— he said, and in the next instant Caroline's voice, shrill and imperious, penetrated the room like a wind.


Hands off, retard!


Out there, in the cold, John said something low, and silence followed.

Bud's face was crimson. His jaw muscle jumped.


She knows better, by God.


It's all right, Charlotte said.


Nothing else happened. The day was going dark. In the mirror she saw Bud's arm drift toward her shoulder, then beyond it. She saw her robe rise up like a spirit, felt it brush her shuddering skin. In the mirror, as in the flesh, he got the robe over her shoulders and over her breasts without quite touching her.


There is glass in her hand, Charlotte notices, standing at the sink. Slender fragments pressed into her palm, and after a moment she remembers the broken window, the strange little stone. She dumps the glass in the trash and rinses her hand under the faucet. She had wanted to tell him something, that day—something true and unafraid, such as how she'd often felt, her secret thoughts. Caroline's voice had stopped her.


And if it hadn't? If everything had gone just a little bit differently? Meteors, they said, were on the way, right now, crossing billions of years of chance. If Caroline had not spoken and Charlotte had—would things be different? Would Caroline be alive?


It's late, almost midnight. Wind is moaning in a gap somewhere. She begins going around the rooms locking doors, switching off lights. She's halfway up the stairs before she remembers John is still out, but she doesn't go back down to turn on the lamp. In a few weeks, he'll be gone. He'll take off one day while she's at work, leaving just a note saying he's gone down to St. Louis, to work construction with a friend of his. The lawyer will call a few days later looking for him—John's cellphone number no longer works—but it's a social call, mainly, just checking in. John's a good kid, the lawyer will say before hanging up. Charlotte raised a good boy.


Not long after that she will see that Bud Steadman has finally changed the sign on the side of the building—white-washing out the hyphen and everything after—and that's when she'll decide to go, too. Her father still has the farm in Minnesota, where as a girl she learned nothing comes easy. It's a place, a life, she had left behind. But you never do. There's room for her and Dukie and the dog, Wyatt, which John has left behind. The first time she cooks for him, at the old stove, her father weeps.


John will come up for Thanksgiving and Christmas that first year, then just Christmas, then not even that. One day Charlotte will get a card in the mail, two photos inside. Here is her new daughter-in-law, Cheryl; here is her grandson, Grant—the very image of John and Dukie when they were born. But "healthy," John writes, "and normal."


When the dog finally dies—of cancer, like Raymond—Charlotte decides to call her son. She's remembering the day he found the dog, just this bag of bones down by the tracks. He'd fed it some licorice and when he turned to go it latched its jaw onto his calf muscle. Seeing the teeth marks in his skin—the skin unbroken, thank God—Charlotte got up to call the pound, the Board of Health, the police. But John had looked at her, and then at Dukie, who was studiously petting the animal's skull.


This was late November, maybe December. Raymond had not been dead very long.


John kneeled next to his brother and began stroking the dog's ragged spine. You know what they'll do to him, he said quietly, as if to himself.


What? said the Duke. What will they do to him?


Don't, Charlotte said. John, don't...


Well. He had been a good dog, after all. Smart, happy, devoted to John as if he'd never forgotten that piece of licorice, that sudden change of fortune. After John left, leaving him behind with Charlotte and Dukie, he was not the same animal. His heart was broken. Sickness saw an opening.


"What do you want me to do with him, John?" she now asks on the phone, her voice under control. It was the water, she remembers—the sound of water in the pipes. If he had never turned it on she would never have come downstairs. She would never have seen him out there with the hose in his hand, would never have seen the look on his face the moment he knew she was there, the moment he knew he'd been seen.


Of course, if she had not had a date with Bud Steadman—if she had never had feelings for Bud Steadman—John would not have been out at all that night. This is Charlotte's final thought on the matter, again and again, up there in Minnesota.


"What else can you do?" John says at last on the phone, in the voice of an older man, a husband, a father. "You bury him, Ma."




Copyright © 2008 by Tim Johnston.

 
  • Writer: Robert Giron
    Robert Giron
  • Jan 7, 2021

Better Times

by Mark Wisniewski


There were at least thirty hornets in my medicine chest, which my landlord insisted I keep closed until the exterminator opened it, so I hadn’t brushed my teeth in two days. The exterminator, who my landlord said was a woman, didn’t show the day she was supposed to, and then she was supposed to show the following morning—before I left for work—and now, on that following morning, I was at work, which meant I’d needed to leave my apartment unlocked for her, which I didn’t like. Everyone knows an unlocked door means you could get robbed, but what got me most was I’d probably never see the exterminator—and there’d go a chance for me to talk to a woman other than the one who always came to the cemetery.


That’s where I worked, the cemetery. How the exterminator could have shown at my apartment before my shift still bothers me. My landlord knew I left home at four-thirty a.m. to get to the cemetery by five, when any excavation needed to start. My boss Rich believed no one wants to see digging in a cemetery, so we had to finish all excavation before six, sixty-thirty tops. Anyway as I’d showered before work that morning, I knew the exterminator would never appear before I left, but still I sort of hoped she would, which then left me grumpy, maybe even downright pissed at my landlord for messing with me like that. You know: How can you lie to a tenant as ideal as me when you know I’ll know you’ll be lying?


And then there I was, at work, still grumpy, though there was no excavation scheduled, just leaf and littered item removal until lunch and then, after lunch, probably weed-wacking, but John Monilon wouldn’t know until Rich rolled in and told us for sure.


John Monilon was one of those co-workers who’s almost a complete friend. I’d sometimes think, while we’d be for instance watering sod, that one day we’d do something together after punch-out, like bowling or watching a game at the minor league baseball stadium you could see on the cemetery’s highest hill, but somehow this never happened. You think you’ll do something with a person like that, since there, at work, you and this person discuss yourselves so much this person knows all about you, like how one of your big toenails fell off for no reason, and you can laugh with this person, hard sometimes, but when it comes down to the last minute of a shift, while you’re each holding a time card and waiting for the clock’s final tick, you realize you and this person will part ways again, John Monilon off to a bar to eat a burger and drink beer and try for sex even though he has herpes and went to jail for dealing drugs, you back home to eat tuna and rice before you might browse through your stamps. Yes, I keep stamps, and, yes, I know stamp collecting isn’t the best hobby for a guy who wants to talk to a woman other than one who always comes to a cemetery, but it’s a truth about me.


At least it didn’t help when I tried those over-the-phone dating lines. I should say right now that, through those lines, I actually have talked to women other than the one who always comes to the cemetery, but those conversations, when I’m honest with myself, don’t count. For one thing, none ever lasted for more than fifteen seconds, usually because I’d lose nerve and hang up, once because I said “I save stamps” after the woman, whose name was Cheryl, asked me to tell her about myself. I still think it was rude for her to answer my response with silence followed by the tiniest laugh, but my experience with her did teach me that, if I ever do get into a conversation, a real conversation, with a woman other than the one who always comes to the cemetery, stamps are a topic I should avoid.


Unless maybe the woman raises it. And, yes, I’ll admit I have wished for a woman out there, in the non-cemetery world, who loves stamps and wouldn’t mind talking to me, but this wish, I know, could prove undesirable.


Have you tried the internet? you might be thinking, and in fact that’s what John Monilon once asked, and my answer was (and will always be) that if I’d meet a woman through the internet, she wouldn’t count either, because what I want isn’t intercourse but instead the satisfaction of having physically approached a non-cemetery woman, talked with her, and parted with her knowing we were both on better terms than we were before my approach. Maybe I’m old-fashioned, but that’s all I want. John Monilon says I’m what shrinks call asexual, which, if you ask him, means I’ll never have intercourse because my testicles won’t cooperate. Between you and me, John Monilon might be right about this, but I’d never tell him so, because saying “Yeah, I’m asexual” to someone could, as I see it, end any chance that I am sexual—and, as I understand things, if I really am asexual, I’ll probably never belong to any true family—not the one that got rid of me, not the foster ones I’ve lived with, not the theoretical one I’d create if I could father children with a woman who’d keep me.


Anyway what John Monilon and I did the morning the exterminator was supposed to show was leaf and littered item removal, which meant we needed to walk to the toolshed on the edge of the woods, unlock it with the key on John Monilon’s chain, each take a drab canvas bag with a shoulder strap, each take a bladeless hockey stick handle with a beheaded common nail hammered halfway into one of its ends, then both wander the grounds in search of every leaf and littered item that kept the cemetery from being perfectly green.


Rich, our boss, believed in perfectly green. Perfectly green, Rich said, was essential in cemetery maintenance. If you asked him, people with dead folks need to see as much green as possible when they visit—or even drive past—a cemetery, because green means life in general, and life in general, to such people, can mean a hereafter. These people need belief in a hereafter so they can hope to see their dead folks again, so the greener we could make our cemetery, the more people would pay to keep their folks in it, which meant more money for Rich, which was supposed to mean a raise for me.


But the thing was, on that day (the day the female exterminator was supposed to show at my place), all I’d gotten so far was a fifteen-cent raise—even though I always attacked any leaf or littered item in sight, stabbing it as close to its center as I could, making sure it ended up well inside my bag, jammed toward a corner so it wouldn’t escape into a breeze—and even though John Monilon and I, in the past few months, had been digging and sodding more plots than ever. If we’d earn more money, John Monilon once said, we’d meet more women—even if I was asexual, even, he also said, if we didn’t use our raises to buy sharp clothes. Women, according to John Monilon, can smell money behind a guy no matter what he wears, and money, he said, is the main thing women want. Once I told him he blew more hot air than our newest leaf blower—since no way did he know what every woman wanted—and he told me to try to prove him wrong, then added that, so far, he and I both were living proof he was right. “Maybe they just don’t want a guy with herpes,” was what I said then, and he said, “No one but you knows I have herpes,” which caused me to believe he and I could still be complete friends. But after punch-out that day, he hightailed it from the cemetery faster than ever, which made me wonder if, for me, complete friendship was a piece of pie in the sky.


Anyway John Monilon and I began leaf and littered item removal the morning the exterminator was supposed to finally show, and as usual, we started out side-by-side, with John Monilon telling me about what happened to him the night before, which this time was that he met a woman with large breasts. We walked all the way up and down one hill stabbing leaves as he focused my thoughts on her breasts, telling me how full they were, how she kept pressing the side of one against him because she supposedly couldn’t always hear what he said, how he kept talking more and more softly and shoving quarters in the jukebox to play louder and louder heavy metal songs. He also explained how she must have wanted the breast to keep touching him, because no woman, he said, accidentally lets a breast that size touch a drunk guy that long—and how she must have known the breast was giving him a hard-on, and how, after the hard-on remained hard for at least a continuous hour, she excused herself to go to the bathroom, which he took as an excellent sign, but then, when she left the bathroom, she walked right out of the bar. What got him most, he told me, was that she walked out alone: it was one thing, he said, for a woman in a bar to make you hard and then leave with her friends, but to make you hard and bolt on her own was just plain vicious. Then, like John Monilon often did, he said, “You know what that’s like, right?”—as if I always talked to friendless women who pressed large breasts against me, which he darned well knew I never did. And I said, “No, John, I don’t know what it’s like.” And he said, “Ah, come on, man,” and I said, “I’m telling you, John, I really don’t know,” and then he went off on a long speech, giving me the business about how certain it was that I was asexual. As usual when he did this, I didn’t say anything, just looked ahead for leaves and littered items. Sometimes when he’d do this, I’d want to tell him to shut up, but then I’d tell myself to keep my own mouth shut—because if I asked him to shut his, we’d never be complete friends. It’s better, I’d usually tell myself, to have anyone, even an incomplete friend, walk beside you giving you the business than it is to try to make a cemetery perfectly green by yourself.


And now, also as usual when John Monilon would tell me I was asexual, he tried a bunch of times to get me to admit that I was, but I didn’t give in, and then, after I walked quickly toward a leaf well to our right, I stabbed it and angled off even more toward another leaf without hearing John Monilon or looking back to wait for him. And then there we were, on obviously separate paths, which meant we’d stab everything faster and end up finding each other back at the toolshed sooner, but in the meantime we’d be alone.


And when I’d be alone during leaf and littered item removal, I’d just zigzag without plans from one non-green oasis to the next, and sometimes while I did this I’d think about some of my foster families, often about the last one I stayed with, the one that had me share a bedroom with my foster parents’ natural child, a twelve-year-old boy (about three weeks younger than me) named Thomas. One night Thomas told me that, because his parents were poor, we’d never get an allowance like some of his friends did, and he decided we’d need to make our own money if we wanted to buy things, so we tried all sorts of businesses for kids, including selling tomato seeds door-to-door for this mail-order company in Illinois, selling Christmas cards door-to-door for this mail-order company in Georgia, until we decided that we weren’t getting our fair share of the profits—and that we should start our own mail order company, which I suggested be a stamp company.


At first Thomas didn’t believe a stamp company could make money, but then I told him what I’d learned from a family services lady years earlier—that people collected used stamps and even paid money for them—and soon we were tearing every stamp off his parents’ mail, plus off envelopes we’d see in trash bins at our middle school, and then one night, while we lay awake in our trundle beds, we made lists in our minds of people who got lots of mail and might let us take torn-open envelopes from their wastebaskets. Nuns and priests at churches seemed like a good idea, as did dentists and doctors and insurance men, and the next day, after school, we asked quite a few of these kinds of people if we could look through their trash once a week, and most of them, after they asked why and we explained we were starting our own stamp company, said yes. Two of their secretaries even offered to put aside used envelopes for us so we wouldn’t need to get dirty digging through their garbage cans, and one thing I noticed was that the nicest secretaries always faced Thomas while they were being nice, which, I decided, was because he had shiny yellow-white hair. Of course, in order to sell the stamps, we needed to remove them from their envelopes, which we did by tearing off the upper-right-hand corners of the envelopes, soaking these corners in lukewarm water in soup bowls (cold water took forever to unglue the stamps; hot water caused any colored envelope paper to bleed and stain the stamps permanently), then letting the stamps dry on our linoleum bedroom floor. The library at school had a magazine for stamp collectors, Lynn’s Stamp News, and we put in a classified ad for $2.90 we made shoveling snow, and the ad said, “100 U.S. stamps in very good condition for one dollar postpaid—T & S Stamp,” with our address. T stood for Thomas and S stood for me, and I’d been fine with the T before the S because I made Thomas president of the company one night after he said he was bored with peeling stamps off wet scraps of paper. Maybe six weeks passed with us checking the mailbox for not only cancelled stamps but also letters addressed to our new company, and the day after Thomas asked why we didn’t just mow lawns for cash, the mail came with three one-dollar orders. And soon dollar bills were arriving almost every day, as well as a few checks for a dollar apiece made out to T & S Stamp, which meant we couldn’t cash them until we went to a savings and loan and explained we had a stamp company, walking out that door with an official savings account plus a new source of cancelled stamps. Yeah, we had to keep sending in $2.90 for ads, but we were making an actual profit.


Anyhow Thomas and his parents were the foster family I’d think of most when I’d zigzag away from John Monilon, maybe because T & S Stamp was the closet thing to a group of people I’d really belonged to. Other families I’d stayed with had never kept me feeling as alive. I’m not saying Thomas and his parents made me happy, but their house was at least cleaner than the other places that took me in, which sometimes, when I stabbed littered items in Rich’s cemetery, returned to my mind as a blur of cold fish sticks and the stink of reheated macaroni and cheese. In some of those houses I wasn’t the only foster child, and in those houses, you could actually feel the business of fostering going on, as if you yourself were a cancelled stamp to be soaked and removed and dried in a room and sent away for the profit of the parents, who’d argue about which of them was president. In none of those houses did the parents discuss my future beyond the next week, and in one I slept in the basement, where the pilot light in the boiler sometimes went out, and once in the middle of a night, when that landlord came down to fix the boiler, he asked me to take off my pajama pants, which I was old enough to know not to do. But then he told those foster parents I’d broken the boiler, and a few months later, I was off to a house where my bedroom was half of the attached garage—where a homemade curtain was supposed to keep me from knowing I was sleeping beside a car.


My mind still can’t get rid of the sight of that Fairlane’s muddy passenger-side tires, which I’d seen every night because the curtain wasn’t quite long enough. In fact it very well was a flash of those tires that stopped my thoughts as I bagged a gum wrapper and glanced up to see the woman who always came to the cemetery. She was singing this time, which she’d do now and again, only today she was also visoring her eyes with her hand, looking ahead of her, at the grass. The sun made the grays in her dark blond hair sparkle, and she was wearing baggy blue jeans, and she saw me and smiled and said, “Greetings.”


“Greetings,” I said, and I thought, here we go again, because as much as I wanted to talk to a woman, conversations with this one bothered me, sometimes even scared me.


“Seen any coins?” she said.


“No,” I said. “No coins.”


“I found two today,” she said.


Here it occurred to me to mention my stamps, but then I thought: What’s the point?


So what I said was: “Do you find many here?”


“Coins are everywhere,” she said. “You just have to be looking for them. And where you find one, you tend to find more.”


“But in a cemetery?” I said. “Maybe you should try—”


“You’d be surprised,” she said.


Even right then, without considering that she might have collected coins, I knew she’d be better off in a parking lot. Still, I said, “I guess they could be anywhere.”


“People drop coins,” she said. “It’s just a matter of whether they hear them fall. And then whether they feel like picking them up.”“And you can’t hear a coin hitting grass,” I said, to make her sound more sane.


“And if you could,” she said, “who cares about coins in a cemetery?”


“Uh-huh,” I said.


“In a cemetery,” she said, “people have their minds on other things.”


“Probably so,” I said.


Her eyes floated toward the hill that hid the minor league baseball stadium. “Do you know any?”


“Any what,” I said.


“Dead people.”


“No.”


“So you still see your grandparents—that must be nice.”


“Actually,” I said, “I never knew my grandparents.”


“You were adopted?”


“Sort of.”


“Either you were or you weren’t.”


“I was in foster families.”


“I was adopted,” she said. Her eyes, my glance told me, were on my drab bag. “You didn’t miss much,” she said.


I wanted to tell her what I had missed: how, when you grow up in foster families, you’re basically guaranteed to end up poor, because your foster parents themselves are basically poor, because they tend to be down-on-their-luck couples who take money from the state while trying (unsuccessfully) to raise you on less than the state gives them—not to mention that, after you’ve been fostered and you reach eighteen, you’re all on your own, with no savings for college, no more laws that say you need care, so you end up with the kind of job no one else wants.


But this was the woman who always came to the cemetery, so why tell her this? Plus John Monilon had just crested the hill in front of the minor league baseball stadium on his way toward her and me, and that was one thing I liked about John Monilon: around him, I hardly thought about my childhood. As he walked toward us, we watched him the way two people watch someone else approach to silently admit they no longer want to talk to each other, as if, all of a sudden, they’ve decided to give up on each other, as if, all of a sudden John Monilon, as our current example, was about to say something that could put everyone present on better terms. Of course, three people on better terms after one conversation is less likely than two, which to me then meant it was impossible. But I still couldn’t wait for John Monilon to talk.


Now his eyes were moving back and forth between me and her, and he was shaking his head.


“What is it?” I asked.


“It’s about Rich,” he said.


“What,” I said.


“He was in a car wreck.”


“When.”


“A really bad wreck.”


“How bad?” I asked, even though I knew what he meant.


“He rolled his pick-up,” John Monilon said. “On the way home last night. His wife was just here.”


“What are you saying?” I asked.


“Dude,” he said as if now, finally, we were complete friends. “The guy’s dead.”


And here’s where all three of us—me, the woman, and John Monilon—stood looking at one another like blood siblings might. How long we stood like this is something I couldn’t tell you, but for however long it lasted, I believed each of us could have said anything about ourselves and the other two would have empathized. John Monilon could have said he had herpes; I could have said I saved stamps; the woman could have made her most peculiar statement about coins—and none of us, I was sure, would have minded. It was almost as if Rich had been our father, and then it was kind of as if every blade of grass around us had suddenly turned brown.


Then John Monilon said, “Do you realize what this means?”


The woman eyed him as if he always told the truth—which reminded me of how he always said I was asexual.


“What,” I asked.


“We’ll lose our jobs,” he said.


“Why would that happen?” I asked.


“Because Rich’s wife will inherit the cemetery. And she’ll sell it. And whoever buys it will probably decide to clean house.”


“Why would she sell it?” the woman asked.


“She hates this place,” John Monilon said, mostly to me. “Rich told me that once. She hated how much time he needed to spend here. And now she’ll also hate it because he was driving home from here when he left her for good.”


I saw an elm leaf behind John Monilon, and I walked over and stabbed it.


“What are you doing?” he asked.


“Leaf and littered item removal.”


“Fuck leaf and littered item removal, Steve. Your boss is fucking dead. We might as well burn these bags and go to McDonald’s.”


“For breakfast?” the woman asked.“For jobs,” Rich said. “I mean,” he told her, “for me and him.”


“I find coins in McDonald’s,” the woman said. “A lot of pennies.”


Rich gave her the kind of look strangers must have given her all the time, but she kept watching him like she and I had earlier.


“Why are you here, anyway?” he asked her.


“Because no one heard these coins fall,” she said, and she reached into one of her pockets and took out a dime. “Wait a minute,” she said. “Where’s my nickel?”


She pulled out all four of her pockets, which were empty. Then she studied the grass around her, made fists with her hands, shook both at the same time, then walked off, up the hill in front of the minor league baseball stadium.


“We won’t lose our jobs,” I told John Monilon, who stood perfectly still.


“Sure,” he said. “And you aren’t asexual.”


“John-Mon? Quit saying that to me.”


“I’ll say whatever I want,” he said. “And you can believe whatever you want. That’s your problem, you know. You never really face things.”


“That’s not true,” I said, and I wanted to tell him that all I’d done in my life was face things: one foster family after another, then one day after another of stabbing sod that covered thousands if not millions of bones of dead people. Just because I didn’t complain about what I faced, I wanted to say, didn’t mean I never faced it. And it didn’t help, I wanted to tell him, that all these days we’d worked together, he’d never been a complete friend.


“Like me,” he said. “I face the fact that I have herpes. I face the fact that I have a criminal record. I face the fact that I can’t get laid, and that now I’m going to need a new job—the lack of which won’t help at all when it comes to getting laid.” He cleared his throat, hitched his drab bag higher onto his shoulder. “But at least I try to get laid,” he said. “And...at least I’m a square-shooter with myself.”


“Go to hell, John-Mon,” I said, and right after those words left me, I knew I’d destroyed any last bit of friendship we’d shared. And sure enough, he walked off, away from the hill that hid the minor league baseball stadium, and as he walked he yanked his drab strap off his shoulder, shook out his leaves and littered items, tossed his bag behind him—then, after a short but very fast running start, threw his bladeless hockey stick nail-first at the sun, letting only me watch it complete half a circle and stab itself into a grave. He then walked slowly but straight off the grounds and into the parking lot and got into his Toyota and drove off, and as much as I’d known him, I now had to admit I’d never been attracted to him, or, as far as I could tell, to anyone. Sure, I’d hugged various people in my life, given hello and goodbye kisses to several, and even considered what it would be like to have sex with one or two, but I’d never felt urged toward those actions, certainly not in the way you hear about in song lyrics, or from normal people, like John Monilon, who consider intercourse on par with food as far as human needs go. Over my years I’d liked a few people, but never for longer than maybe thirty seconds at a time, and never so much that penetrating our bodies, or even just exchanging caresses over our skin, seemed like a pleasant idea.


Maybe, I told myself, you are asexual. Maybe it’ll always be like this.


But if it would be, I believed, I could still keep my job. After all, I didn’t have a criminal record. That was the problem with John Monilon: he always thought that whatever he experienced would happen to me, too. It’s different for me, I thought, and I kept on with leaf and littered item removal, figuring I owed it to Rich even though Rich was dead. And who knew: maybe Rich, wherever he was right then, needed to see perfect green in order to believe in a hereafter himself.


So I removed every leaf and littered item remaining on the grounds. Who cared about John Monilon anyway. Who cared about anyone. Then I re-policed the grounds all geared up for any new leaf or littered item, but there weren’t any. The wind had died, like everyone beneath me. In many respects it was a beautiful day. If any excavation would need to be done, I wondered who’d tell me to do it. I returned to the toolshed for a weed-wacker, but the toolshed was locked, and I realized the key for it was probably still on John Monilon’s chain.


Then, to avoid being seen by the day’s visitors—as Rich had always required—I walked up and over the hill in front of the minor league baseball stadium and stood slightly more than my height beyond the top of it. The woman was nowhere. Inside the stadium, an old man was pushing a small aluminum box on wheels that drizzled white chalk to make the third base line. He walked slowly, placing the heel of one foot directly in front of the toes on the other, and I wasn’t attracted to him, but all that really mattered was whether the line would be straight, which, as it turned out, it wasn’t. If I can’t work here, I thought, I can work there. Baseball needs perfectly green grass, I thought, and I felt better.


So I sat right where I’d been standing, just past the top of that hill, waiting for the end of my shift. Rich’s wife, I was sure, would never come back that day, which made me my own boss. I avoided picturing the Fairlane’s muddy tires by remembering T & S Stamp. Thomas and I had invested our profits in cancelled stamps you couldn’t find on envelopes in the mail—far older stamps from a wholesaler who was about to go out of business—and we’d resold them, through the mail, at even greater profits. We’d searched garage sales for all but abandoned stamp collections and bought them at below-catalogue prices and sold individual stamps in them to strangers all over the country, and one in Guam. From the beginning we’d always saved half the profits and reinvested half, so roughly four years into our partnership, we were receiving at least ten dollars a day in the mail. School began to look pointless. Thomas’ parents were proud of us, but they kept T & S Stamp secret from everyone he knew. I wasn’t at all attracted to him or his parents, and I could barely stand the girlfriends he met in our high school—or any girl in any high school—and never, not for one moment, had I felt anything for that landlord who’d asked me to take down my pajama pants. I couldn’t say, as I progressed through high school, that I was attracted to stamps, but I liked them. By my junior year, I’d sit looking at them longer than Thomas would.


The old man was now putting down the first base line. Then he made the two batter’s boxes, which took longer than you’d think. But they were perfect. Still, I wasn’t attracted to him. I didn’t miss the woman who came to the cemetery. I didn’t miss anyone.


Then I walked home. I was surprised to find my door unlocked until I remembered the female exterminator was supposed to have killed the hornets in my medicine chest. Maybe she’s here? I thought as I walked in, even though my apartment is only two rooms and a bathroom and she wasn’t in the main room. She wasn’t in the bathroom, either. The medicine chest was open, and the hornets were nowhere. How she’d killed them was a small mystery to me, as well as what she’d done with them.


I didn’t bother to look for her in the bedroom. If she’d been in there, she would have left my apartment immediately, because she would have seen, on most of the floor and much of my bed, open albums full of inventory that had once belonged to T & S Stamp—that is, before I’d given Thomas our savings account balance of $1,462, which I’d done the week before Christmas our senior year, five days after he said he didn’t want to sell stamps any more, even if he were president. At the time we’d made that deal, I thought we were both being fair, and in a way I sometimes still think we were. He had the money, I’d told myself back then, and I had an odd but growing business that would always stay with me. There would always be plenty of people who cared enough about cancelled stamps to pay ever-increasing prices for them—or so I’d thought back then. And the exterminator’s perfume, I realized now, was everywhere.



Copryright 2007 by Mark Wisniewski.

 
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